![]() The members of the ensemble are all on a trajectory colliding with an awful truth but fight against it to preserve happiness and dignity. Her sister (Michaela Watkins) skillfully helps Beth work through the pain, maybe because she has her own flailing-artist husband in Mark (“Succession” breakout Arian Moayed), a perpetually rejected actor always on the verge of getting a real job. ![]() They’re the couple who eat from the same bowl and consult one another on the smallest of decisions, to the horror of their only child (Owen Teague). But before his overheard criticism of her work, their lives were filled with quiet, co-dependent harmony. ![]() Her husband, Don (Tobias Menzies), isn’t exactly setting the world on fire as a therapist. In “You Hurt My Feelings,” Louis-Dreyfus’ character struggles with a lack of confidence in herself and then, after the betrayal, her marriage. “Enough Said” also came as a sort of promise to her fans that she might dive into a medium she’d largely avoided: the movies. The film earned Louis-Dreyfus some of the best reviews of her career. Holofcener, a master of creating sharp characters whose intelligence is clouded by anxiety and obsession, and Louis-Dreyfus, an actor who has never shied away from mining humor from neurosis, proved a blissful match. That film - a love story - allowed Louis-Dreyfus, best known for her broadly comic roles, to flex some dramatic muscle as a massage therapist who becomes involved with a fellow divorcé. The occasion of “You Hurt My Feelings” is a long-awaited reunion for Louis-Dreyfus and Holofcener, who collaborated a decade ago on “Enough Said,” with the late James Gandolfini. Now, in the process of trying to sell her first novel, she overhears her husband talking trash about her work - words that conflict with the blind encouragement and praise he’s offered her for years. Directed by indie stalwart Nicole Holofcener, the film follows Beth, a writer whose memoir about the verbal abuse she suffered at the hands of her father was relatively well received. But do we want to hear the truth? That question is at the heart of Louis-Dreyfus’ new film, “ You Hurt My Feelings,” an examination of the limits of brutal honesty that is set to premiere at this year’s Sundance Film Festival. Everyone longs for the support of family and friends. It’s easy to relate to Louis-Dreyfus’ hurt feelings after her father’s tough words. Maybe this is the reflex of a person who’s done hundreds of interviews, but more likely it’s just proof of how deeply she knows herself. ![]() The harder she is pushed and prodded on sensitive issues - her cancer diagnosis, the high-wire act of comedy and political correctness - the more confidently she volleys back with assured and concise responses. She is as well spoken and polished as a politician and yet she seems truthful, genuine. It worked! Over the course of Veep's run, Julia took home a record nine Emmy Awards for Best Leading Actress in a Comedy Series.Louis-Dreyfus does not fumble her sentences or search for words. With Seinfeld ever looming in her background, Elaine set out to establish her own mirth-making empire by way of HBO's hilariously profane political sitcom Veep, which ran from 2011 to 2019. Consider that when checking out her 2006-2010 sitcom hit, The New Adventures of Old Christine. Now her mammaries are never far from mind. During early stints on laugh-arousing institution Saturday Night Live and as a regular on Day by Day, unsuspectingly juggy Julia managed to charm and beguile but never as a knockout bosom flaunter. Eagle-eyed viewers could (and did) then go back to "The Bus Boy" to experience Julia's boob display just as the gang does on "The Pick" when opening their eye-popping Yuletide greetings. During the raven-haired, cheeky stunner's eight-year run as uproarious Elaine Benes on the massive comedy hit Seinfeld, Julia's cleavage displays were so few that she might have counted them on the nips of her own two tits-although she unwittingly unveiled half that equation when her Hershey-Kiss-like left-side milk spigot slipped into view when she bent down on the 1991 episode "The Busboy." The following year on "The Pick," one of Seinfeld's most popular episodes, Elaine accidentally slips nip while being photographed for a Christmas card. The lesson of Julia Louis-Dreyfus is: Don't be fooled by a buttoned-up presentation, because what pulsates behind those flower-print frocks on Seinfeld and the power suits of Veep is the heart-and sexy body-of a wild siren who shines most sexily when she makes us laugh.
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